This master’s thesis examines how Sámi people were represented in postcards from Norwegian Sápmi during the late 19th century to present day. The study explores how postcards can unveil both grand narratives and personal and local stories. Portraying Sámi people and culture as exotic and different, is a commonality in touristic representations of the Sámi. Postcards with Sámi motifs are no exception. I argue that the postcards depict the Sámi in an “emblematic” way, through a focus on nature, reindeer herding and traditional clothing. This kind of representation is not only conducted by outsiders, and I maintain that emblems are likely to be utilized as a strategy to satisfy the demands in the tourism market. Postcards trigger memorie...
Indigenous peoples’ right to control representations of their own culture and heritage is unquestion...
Most existing research about postcards focuses merely on their visual representation, but postcards ...
Following on from an understanding of postcards as ephemeral objects, images and carriers of message...
Traditional monuments are usually associated with material forms or figures which represents the per...
In this chapter, I discuss early picture postcards of South Saami and South Saami culture from appro...
Photographically illustrated picture postcards were a leading visual mass medium around an...
The study adopted a qualitative approach to assess the role of postcards in representing a destinati...
The subject of “Postcards as a historical source on the history of everyday culture” is to show the ...
This article describes the background behind and the process of the digitization of travel ephemera ...
The collection features postcards from around 1890–1920 from the Spodnja Štajerska / Untersteiermark...
In New Zealand, daguerrotypes since the 1850s and later on wet-plate photography already had Māori p...
The first picture postcards of Micronesia were produced for the German colonies. Starting in 1898, c...
The aim of this essay is to examine how Stockholm has been portrayed in paintings and postcards duri...
The article explores the role and functions of postcards in Austria-Hungary at the turn of the 19th...
Tourist souvenirs represent a specific aspect of history. They are symbols of the long gone. They ar...
Indigenous peoples’ right to control representations of their own culture and heritage is unquestion...
Most existing research about postcards focuses merely on their visual representation, but postcards ...
Following on from an understanding of postcards as ephemeral objects, images and carriers of message...
Traditional monuments are usually associated with material forms or figures which represents the per...
In this chapter, I discuss early picture postcards of South Saami and South Saami culture from appro...
Photographically illustrated picture postcards were a leading visual mass medium around an...
The study adopted a qualitative approach to assess the role of postcards in representing a destinati...
The subject of “Postcards as a historical source on the history of everyday culture” is to show the ...
This article describes the background behind and the process of the digitization of travel ephemera ...
The collection features postcards from around 1890–1920 from the Spodnja Štajerska / Untersteiermark...
In New Zealand, daguerrotypes since the 1850s and later on wet-plate photography already had Māori p...
The first picture postcards of Micronesia were produced for the German colonies. Starting in 1898, c...
The aim of this essay is to examine how Stockholm has been portrayed in paintings and postcards duri...
The article explores the role and functions of postcards in Austria-Hungary at the turn of the 19th...
Tourist souvenirs represent a specific aspect of history. They are symbols of the long gone. They ar...
Indigenous peoples’ right to control representations of their own culture and heritage is unquestion...
Most existing research about postcards focuses merely on their visual representation, but postcards ...
Following on from an understanding of postcards as ephemeral objects, images and carriers of message...